What's In Our Bags
Every camera, lens, and light the studio actually shoots, across Canon, Sony, Fujifilm GFX, and Profoto. No rented props, no wishlist, just the working kit behind the last decade of weddings.
Owned, shot, and paid for
Everything on this page is gear we own and shoot, most of it weekly. Every portrait on this page was made with it. Where we have written a full review, it is linked.
Some links below are affiliate links to B&H, Amazon, and the Profoto store. If you buy through them the studio earns a small commission at no additional cost to you. That never decides what appears here, ownership does.
The wedding-day kit. The R3 is the A-camera on every wedding, and the glass around it covers a full day without a prime swap slowing anything down.
Canon EOS R3
The A-camera for every wedding, and still my favorite body in 2026. Read our review
Canon EOS R5 Mark II
The backup body, also shot by our studio teams. 45MP when the job calls for it.
Canon RF 28-70mm f/2L USM
The zoom that genuinely replaced primes for a lot of our coverage.
Canon RF 70-200mm f/2.8L IS USM
Ceremonies and compression. It also shot the product photos in our R3 review.
Canon RF 85mm f/1.2L USM
The portrait prime. The whole love story is in the review. Read our review
Wedding films run on Cinema EOS, so stills and film share glass, color, and batteries across one system.
Yes, we shoot Sony too. The story of leaving and coming back is on the hub, but the system never left the building, and the GM glass is superb.
Medium format for editorial portraits and the wall art our clients hang. When a file needs to become a forty-by-sixty, this is why.
Light is the whole craft, and everything here rides the same OCF mount and the same AirX remote. This is the system behind the portraits on this page, and the off-camera flash guide coming to the hub.
Profoto B20
The 250Ws main light of the OCF kit, with the user-replaceable flash tube.
Profoto B30
The more powerful sibling, for overpowering sun and lighting rooms.
Profoto B20 Duo Kit
Two heads and a bag, the fastest way into the system.
Profoto B30 Duo Kit
The two-light kit we fly with for destination work.
Profoto A10
The round-head flash that lives on the reception body.
Profoto A2
The palm-sized monolight for travel and tight venues.
Profoto OCF Modifiers & Gels
Softboxes, grids, and gels for the OCF mount, the shaping half of the system.
Profoto Clic Creative Gels
Magnetic color for the A-series, the fastest gel swap on a dance floor.
Gear does not book weddings. The business behind it does.
Every camera on this page was paid for by the systems I teach at Elevate: booking better clients, pricing for profit, and building a studio that lasts.